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(Note to moviegoers who think they’re not annoying anybody just because they’re texting: When you use your cell phone in a theater, you are effectively shining a flashlight into the eyes of everyone around you.

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Ariel can also tap into any machine whatsoever - cell phones, security cameras, subway trains, the TV monitors at McDonald’s - which is how it forces two innocents, the slacker Jerry (LaBeouf) and single mom Rachel (Michelle Monaghan), into suspicious behavior that sends the FBI on their trail.Īriel cannot, apparently, do something about the annoying twerps who insist on sending text messages to God-knows-who during a movie. The evil machine in “Eagle Eye” is housed in a room filled with shiny silver orbs that make it look like the VIP lounge from a cruise ship disco. So what if they both happen to have a giant red eye? Ours turns purple when Ariel gets mad! Our computer’s a chick! And she’s named Ariel. Caruso (who ripped off “Rear Window” in his previous movie, “Disturbia”) makes his computer female. Anticipating cries that he’s ripping off “2001,” director D.J. Wow, I could have stopped 'Eagle Eye' from ever having been made.“Eagle Eye” just gives us car crashes and foot chases. I couldn't help but ponder as I was leaving 'Eagle Eye'.What if I had control of all the technology in the world? LaBeouf and Monaghan offer uninteresting performances, while the usually delightful Dawson disappoints and Thornton doesn't do much more than collect a paycheck. While there's not much hope anyone could muster a decent performance in this techno crap, there's unfortunately not much of a sign that anyone's even trying. If you find that to be an insult, then so be it. 'Eagle Eye' isn't a film for people who can turn off their brains, it's a film for people whose brains have been permanently muted. It's so bad that, unlike the much more awful 'Crank,' I couldn't even laugh here. The simple fact is that the story behind 'Eagle Eye' makes absolutely no sense, the characters are paper thin and, dare I say it, even the action is poorly edited despite being practically non-stop.

'Eagle Eye' has enough techno babble to appear to be a sci-fi type flick, but most who actually understand the theories behind science fiction are likely to groan with boredom here.

Caruso, who worked with LaBeouf on 'Disturbia,' keeps the action flowing nonstop, a cheap and easy gimmick like to please fans of mindless, irrelevant action fluff. While I might expect this sort of film from the likes of a Jason Statham, it's disappointing from an actor who can, well, act.ĭirector D.J.

This is the third film in a row for LaBeouf in which technology seemed to matter more than acting, and it's becoming increasingly difficult to tell if LaBeouf is going to live up to his promise or not. The basic premise of 'Eagle Eye' involves two people brought together by a diabolical 'voice' who seemingly has control of technology worldwide and is going to wreak havoc unless they do his bidding.Ĭan't you just see the holes in the film already? Somewhat reminiscent of the similarly nonsensical and hyped up 'Crank,' 'Eagle Eye' is so ludicrous that one may need to head over to 'Beverly Hills Chihuahua' to get a dose of reality. LaBeouf is certainly a promising young actor, but 'Eagle Eye' is a definite step backward for both he and co-star Michelle Monaghan ('Made of Honor,' 'The Heartbreak Kid').

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However, we must also remember that LaBeouf has also given us such clunkers as 'The Battle of Shaker Heights,' 'Constantine' and 'Charlie's Angels: Full Throttle.'

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Rumored to be Hollywood's next 'It' guy, Shia LaBeouf has had a series of high profile films including the fourth installment of 'Indiana Jones,' 'Transformers,' 'Surf's Up' and the surprise hit 'Disturbia.'